Publications
God’s cruel joke
(2024)
The Third Miracle
[…]The post office had shut its doors finally with no fanfare. They had posted a sign in the window of its bright post-green shopfront with a final date of operations, but sure no one looks at the notices when they are rushing to post something. The day had come and gone. That day was yesterday.[…]
god’s cruel Joke
(2023)
In the wake of Børgman
[…] But after watching his entire filmography, stopping scenes and staring at stills for days at a time, moving frame by frame through the perfect grey scale, the world laid bare, every film, every frame; the Swedish actress Karen Østergaard’s face, in tears, in joy, in anguish; the rooms — barns, offices, farmhouses, boats run aground, all empty of extraneous objects, all filled with perfect light and shadow; and the fire, candle flames, oil lamps, boats and houses and churches all consumed — light so white, so clean and intense it seemed like the wall onto which I had projected these images would curl apart and lavish me with its cleansing flame; after that, it happened. […]
THE HONEST ULSTERMAN
(2022)
At the Threshing
for Liam Powell
What I recall is this: the field flushes
Rose with the shape of a body fallen
Then shoulder-lifted as after a match
Nearly in the lightness of triumph,
And wrongly we had thought the reaping done. […]
Somewhere a singularity is folding light into itself
I saw the devil once I was a child
and my soul was sworn to oaths I could not comprehend
I know I will see the devil again as an old man
brewing coffee alone at the hour of the mourning star in my brother’s home
I also know that at first I will not notice
him peering in through the kitchen window behind me
I can predict however that I will sense the warmth
and when I turn toward its embrace to gaze at the lightening sky
there will be a man standing at the window impossibly tall
waiting with expectancy for our eyes to meet
and they will
and I will run fists raised into the driveway ready to battle the
but by some small art of loss […]
The Kettle
Back here in the briar patch
I have become
all quiet and useful
my hunger is ungone
but it is lazy
I still dream of meat
and am sorry
I have not written you
for sometime
Jim calls me out
during the day
His face is streaked with red now
and it is beautiful in the snow-fog
It is raining
The yard is peppered with others
day-birds mostly
in the distance vultures
sog the clouded air
and sleep in slow congress
in the leafless willow
behind the grocery store
it is always Friday Jan 11
and a crescent moon sets
like a vulture
everytime I step outside to smoke
Exine
I was afever
I woke to an elevator door's dambreak of blood
I woke to a man asphyxiating
goldenrod exine amidst the stars
I gesture toward uncarved black stone
Here in the future I suffer impostor syndrome
fake my way through adulthood
surprised to see my face in the mirror washing
grow in quietude eyes unblinking
taking in the world the mineral fact of it
Five Stars (excerpt)
… I come home alone right. Maybe a little drunk. I turn on the TV and queue up my Netflix. And there it is, The Triumph Of The Will. You know, Leni Riefenstahl’s Nazi propaganda piece. We all had to watch it in high school right? The film world’s probably greatest, structurally I mean, propaganda film. There are some epically shot scenes. The plane divinely descending through the clouds. The child edited into the parade footage, a toddler giving the infamous salute, only in reality shielding his eyes from the sun. Riefenstahl’s editing is impeccable. The blocking is perfect. But I digress…
Another Summer Living on Cigarettes
It’s not even Memorial Day
and they are already talking apocalypse
it will change everything, the way
you eat think educate your children
I stockpile potable water
own a firearm
It’s like this every summer
Blight creeps up the coast
like a fever
drops fruit from the tree
The ashtray overfilled
Wood houses in Pennsylvania
rot in the swelter
A green sickness
flowers over everything